Film and literature at Screenplay and Wordplay

Last weekend was more cultured than most in Lerwick as 2,500 attendees gorged themselves on film and literature at this year’s Screenplay and Wordplay festi­vals.

Now in its third year, Screen­play appears to be gathering momentum and saw audiences in the town over Friday, Saturday and Sunday tip into four figures. Viewer numbers tallied around 500 for rural screenings from Fair Isle to Unst and Shetland Arts director Gwilym Gibbons paid tribute to the star attractions at the “infant” festival, including acclaimed British director Ter­ence Davies and curators Mark Kermode and Linda Ruth Wil­liams.

The charismatic 63-year-old Davies’ discussion sessions were every bit as entertaining as the trio of his films, The Long Day Closes, The House of Mirth and Of Time and City, shown over the weekend. Other highlights included the strikingly powerful Israeli animation Waltz With Bashir and the spectacular Ice­landic scenery and haunting music of Heima, not to mention the contribution of local film makers Maddrim Media.

Gibbons said: “The feedback that we’ve had from writers, film dir­ectors, actors and our audien­ces is that it has been a huge success, and the atmosphere and the way people were interacting was really quite special. I think Terence Davies was a star, it was great to have him in Shetland and his Q&A sessions with Mark Kermode were very, very memorable.”

Wordplay, meanwhile, attract­ed just over 1,000 people and in excess of 170 for educational workshops held outside the town. The book festival began in 2001 and organiser Donald Anderson said this year had been as “rich” and “varied” as he could remember.

Among the attractions on offer were talks and readings from Captain Corelli’s Mandolin author Louis de Bernières, crime writers Stuart MacBride and Ann Cleeves, Stornoway writer Kev­in MacNeil and Katie Morag author Mairi Hedderwick. There were also turns from local writers including TS Eliot poetry prize winner Jen Hadfield, poet Gordon Dargie and novelist Tom Morton.

Anderson said: “I think it went very well overall; certainly the feedback from both writers and mem­bers of the various audiences would indicate that everybody seems to have had a very good time. We’re part­icularly pleased about how the festival club [at Islesburgh] worked – it’s the first time we’ve done it this year – and how there was lots of nice crossover between the two festivals. It was really nice to see people engaging with each other.”

He said it was heartening to see so many local writers dis­playing their work and that the standard had fared well up against that of some prestigious visiting literary talents. “It was very rich because there was such a variety, including the local stuff. Sometimes people think it won’t be so good [because it is local] but the literature scene is particularly strong and that is something which was reflected right the way through.”

Creating a film-going habit, Gib­bons said, would undoubtedly take a bit of time – particularly among Shetlanders who have grown up in the post-North Star cinema era. He believes the film festival, ahead of the spring 2011 opening of Mareel, will play a key role in laying the spade­work.

“I look forward to the day that people have a choice of films seven days a week, a variety of times rather than having to wait for a particular weekend,” he said.

Neil Riddell


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